Tales and Novels of J. de La Fontaine — Volume 11 by Jean de La Fontaine

(4 User reviews)   992
By Katherine Rodriguez Posted on Mar 30, 2026
In Category - Biography
La Fontaine, Jean de, 1621-1695 La Fontaine, Jean de, 1621-1695
English
Hey, you know how sometimes you want a book that's just pure entertainment? Not too heavy, but clever enough to make you smile? I just finished Volume 11 of La Fontaine's 'Tales and Novels,' and it's exactly that. Forget the famous fables for a second—this is the grown-up, cheeky side of La Fontaine. Think of it as a 17th-century French version of a comedy of errors, where the main 'conflict' is usually human nature itself—lust, greed, vanity, and the hilarious lengths people go to hide them. The mystery in each story isn't about a crime, but about whether the characters' ridiculous schemes will actually work, or if they'll trip over their own desires. It's witty, a little scandalous by old standards, and surprisingly relatable. If you need a break from serious epics and want something playful and sharp, give this a try. It's like literary tapas—small, flavorful bites of human folly.
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So, what's actually in this book? Volume 11 is a collection of short, verse narratives, but don't let 'verse' scare you. La Fontaine's rhythm is light and conversational. The stories are less about grand plots and more about situations. You'll follow clever wives outsmarting jealous husbands, young lovers concocting ridiculous plans for secret meetings, and supposedly wise figures making complete fools of themselves. There's no single overarching story; instead, each tale is a self-contained snapshot of human behavior, usually leaning toward the comic and the amorous.

The Story

There isn't one plot, but a series of them. Imagine flipping through a channel of 17th-century French sitcoms. In one, a monk's greed for a good meal leads him into a compromising lie. In another, a woman uses pure wit to expose her husband's hypocrisy. The 'action' is all in the dialogue, the ironic twists, and the final, often punchline-like revelations. La Fontaine sets up a scenario—a misunderstanding, a secret desire, a social blunder—and then lets the characters bounce off each other until the truth, and the humor, comes out. It's less about what happens and more about how delightfully it all unravels.

Why You Should Read It

I loved this because it feels so human. Strip away the wigs and fancy language, and these are stories about people being silly, lustful, and vain. La Fontaine doesn't judge them harshly; he observes with a twinkle in his eye. His genius is in the telling—the playful rhymes, the gentle mockery, the way he winks at the reader. Reading this volume reminded me that people haven't really changed. We still get caught in little lies, we still chase foolish desires, and we still love seeing a pompous person get their comeuppance. It's comforting and funny in a very timeless way.

Final Verdict

This book is perfect for anyone who enjoys classic literature but wants something light and witty. It's great for short commutes or bedtime reading—you can finish a tale in one sitting. If you like Chaucer's Canterbury Tales for their earthy humor, or if you enjoy Oscar Wilde's way with a clever, ironic line, you'll find a kindred spirit in La Fontaine here. It's probably not for readers seeking a deep, emotional saga or fast-paced adventure. But if you're in the mood for intelligent, playful stories that show how ridiculous and charming we humans can be, this volume is a delightful, sparkling treat.

Matthew Taylor
1 year ago

Very helpful, thanks.

John Jackson
1 year ago

Without a doubt, the character development leaves a lasting impact. One of the best books I've read this year.

Elizabeth Wilson
1 year ago

Fast paced, good book.

Jackson Miller
8 months ago

Recommended.

5
5 out of 5 (4 User reviews )

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